A TECHNIQUE DRIVEN Blog dedicated to mastery of surface design techniques. First we dye, overdye, paint, stitch, resist, tie, fold, silk screen, stamp, thermofax, batik, bejewel, stretch, shrink, sprinkle, Smooch, fuse, slice, dice, AND then we set it on fire using a variety of heat tools.
Wednesday, March 2, 2016
More Frizzled Edges
I started with a couple of dark blue layers, then laid strips of assorted blues across these.. the fabrics can overlap a little and should not be sewn together. I made lots of layers with a sort of sea-and-sky thing in my mind
After a while I laid in a piece of bright yellow
Then a few more strips of blues
Finally, another dark layer all over and a bright yellow circle.. Not sure, could be sun or moon
Sewn - note this time I have made wibbles, but still basically on the diagonals
And here it is washed... The moon, (definitely a moon now) reflects sweetly in the sea. The further up in the mix you put that contrast stripe, the clearer it will be in the end product
I quite often make biggish pieces and cut them up - these brooches are about 2-1/2 inches on their longest dimensions, and were made from 1/8 metre sandwiches..
After cutting and washing the chenille, I lay it onto a stiffener (Vilene/Pellon) and a backing fabric, and stitch around with a straight stitch. Trim to size just outside the stitch, then zigzag the edges..
And here's an odd piece sewn raggedly onto a book cover.. the central layers of this one were quite small scraps - you can see the colour-changes coming through
As long as you have one complete layer at the bottom, almost anything else will cohere nicely..