A TECHNIQUE DRIVEN Blog dedicated to mastery of surface design techniques. First we dye, overdye, paint, stitch, resist, tie, fold, silk screen, stamp, thermofax, batik, bejewel, stretch, shrink, sprinkle, Smooch, fuse, slice, dice, AND then we set it on fire using a variety of heat tools.

Showing posts with label fabric scraps. Show all posts
Showing posts with label fabric scraps. Show all posts

Monday, May 8, 2017

Coiled Fabric Vessels


To begin, I have to give credit to my friend Sherrie Spangler for turning me on to making coiled fabric bowls.  I have admired them for a long time, but Sherrie posted a couple of easy-to-follow tutorials on her blog sherriequilt.blogspot.com that got me started on my way.  If you have never tried making these bowls, I encourage you to visit her blog and search on coiled bowls… great way to get a start on using up the ever-growing fabric stash!
Here are a few examples of what I have made over the past 5 years or so:
Bowl with autumn leaves



Oval bowl

Multicolor bowl w/medallion


Covered bowl with fluted edges



Bowl with leaves and medallion


Seed pot with feathers

These are just some examples of what I have made… some with a variety of scraps, some with hand dyed fabric, some with fabric purchased specifically for the project.



After following Sherrie’s tutorial for a while, I found two books that helped me to expand my skill set to include more than just round bowls.  The first book is “It’s a Wrap II” by Susan Breier.  I got this book in July, 2013 and it taught me how to make different shapes, and how to make lids as well as some neat new ways to finish the bowls with medallions, loops and other finishes.  Sometime in 2014, I found the book “Sewing Pottery by Machine” by Barbara Warholic, and her techniques took me to a whole new level.  I will be reviewing both books later this week if you are interested in learning about them. Meanwhile, I would love to hear from you if you have tried making bowls or have any questions or comments about the topic.  Happy coiling!


Monday, June 1, 2015

Cris on Fabric Collage


Cris Winters here, with my first post of my guest month on the Fire Blog. I thought I’d tell you the story of a recent experience with fabric collage that changed my art practice, changed what I displayed and sold, and obsessed me for months! I’ll tell you more about myself as we travel through the month of June together looking at lots of fabric collage techniques and materials.

And another thing. I have a lot to learn, so if you want to add tips of your own to what I present, please pitch in and send your comments!

I’ve been doing fabric collage for a while. It was a natural progression from the paper and mixed media collage I did as my regular art practice for few years. Last spring, though, it became a Whole New Thing! I was asked to make a couple of dozen pieces of tiny art about 2 ¼” by 3 1/4 “ for our community’s Art Vending Machine – a refurbished cigarette machine that now dispenses art that fits inside little boxes just the size of a cigarette pack. Great fun!
But I was leaving on a very long car trip in a couple of days and the art was due a couple of days after I returned. Yikes!!! After my initial alarm, (instead of sensibly saying “NO!”) I went into hyper-creative mode doing what I love best: making art with serious constraints placed on it. This time the constraints were 1) small specific uniform size, 2) must be made in multiples of 12, 3) some way to do at least some of the work as I traveled, and 4) relatively short time frame.
I remembered reading several articles about using fabric scraps to make beautiful collage pieces, so I dug out a couple of those to refresh my memory on the basics. I had some medium weight canvas lying around, so I ironed some paper-backed fusible on it and got out my scrap box. (WARNING! Using fabric scraps in this way DOES NOT reduce the amount one already has. Instead, the scraps somehow breed in the closed container such that one has to continually find larger containers. I think the alchemy comes about when one feeds them all kinds of other bits and scraps that never seemed to have a purpose before.)

I proceeded by ironing the scraps I planned to use and arranging them on the fusible-covered canvas. My pieces of canvas were about 12” by 20” – that size was convenient to work with, especially as I did my machine stitching in a later step.
I assembled the collage on a Teflon sheet and transferred it to the ironing board by sliding a quilting ruler underneath and moving it carefully. Then I covered the whole collage with a second Teflon ironing sheet and pressed it all together. 

There were some inevitable gaps that revealed the backing, so I added fabric (and some paper) scraps that were already fusible-backed from other projects. I also added some scraps that added to the color, design, or general interest.

See what happened next in Wednesday's post!