Wednesday, October 22, 2014

Week 4 Area Enclosing

This week we will show you some examples of Area Enclosing stitched resist Shibori.

A little experiment, with a stencil I drew shapes into a figure:

The one on the left was made by whip stitches over a group of pleats of each shape. The one on the right was made by tacking stitches.


That is an interesting outcome!

Let's see what others discovered in this range!

Tuesday, October 21, 2014

My third week with stitch shibori.

Hello, here Eke Krug again, I am a guest on this blog this month, you can see me every Tuesday in October.
This is already the third week with stitch shibori. Time flies when you're having fun. And fun it is!
It is nice to sit and stitch, it is exiting when the dyeing process starts, and it is wonderful to see appear the lines while pulling out the threads.

This week parallel lines, another challenge. I made my six swatches and decided to make four bigger parts by the size of 50 x 75 cm. Those will be the middle of the quilt I will make, and all the other swatches will surround it.

 This is the first draft of my plan.

First big part with parallel lines.

After dyeing, the colour doesn't look like the real one, that is brighter and more green.

And here my six swatches for this week.

 The colours I used  this time are: amber (a dark yellow) and azurite (a nice blue one),  in the following amounts: 30/70, 50/50 ans 70/30%. The bigger one with the parallel lines I dyed in 50/50%.

Also I started embroidering the first swatches with the straight lines.

And of course, I had to lay it together with the big part, the way it will be in the quilt.

This was my selection for the third week. I do like playing with the lines and thinking how the quilt will be when it is ready. Today I bought a new sewing machine, so I can go for it.
See you next Tuesday with the area enclosing.

My blog: ekeskleurdesign

Monday, October 20, 2014

Week 3 - Yvonne Watson

Hi Yvonne Watson here with my samples of parallel lines.

First of all I experimented with a piece of muslin and stitched a few lines along folds on the fabric.

I then dyed the fabric with a dilute mixture of Lemon Yellow and Magenta.

When the fabric was washed and dried I undid the stitching, ironed the fabric and re-stitched along some of the white lines. I stitched a couple more lines and then dyed the fabric again with Turquoise.

I’m sorry I don’t have a “before” photo but here is the “after.”

I envisage this being used as a background for more printing. It is a lighter colour than the photo shows. Whilst it didn’t really show the stitches it suited my idea to have lines that might appear in rocks in a landscape.

Next I experimented with stitching petal shape, which is normally repeated. However I decided work on one largish shape only until I had mastered the stitching. I was pleased with the result.

Many moons ago I had drawn the following with the intention of using it for stitch 

However I thought it might make an interesting motif for experimenting with stitching along the fold.

I drew a circle in the centre of my fabric and another around the edge for guidelines. I then drew lines where I wanted the stitching to go and stitched along the folded lines. I reduced the number of lines as I thought there were too many to sew successfully

I decided that this might be interesting in repeat so I have manipulated the image in Photoshop and come up with this, which I think, might make a Thermofax.

Experiment number four involved two different kinds of stitching along the fold.

I stitched along folds and I pulled up the threads as I went along. This made it difficult to sew new lines and this was the result.

Whilst not all of the stitches resisted the dye I really liked the marks that the stitches made and this made me think about how else I might use this technique.

Trees came to mind and so the first tree was overstitched along the folds.

The fabric was then dyed using black dye. I was not all that happy with the result, as there is not enough contrast. I think this is more to do with my dyeing method than the stitch.

The second tree below was stitched along the fold but this time I used a running stitch close to the fold. This seems to be easier to draw up really tight so I think this is a better result.

The marks made by the over stitched lines - maki –nui reminded me of skeletons. Not sure why but maybe it’s just that time of the year!! So I set about trying to sew two figures one for each of the type of stitch.

Sorry I only have the photo of the over sewn stitched figure before dyeing.

Here are the two resulting figures using a running stitch close to a fold Fig 1 (left) and a whipped stitch close to the fold. Fig 2 (right)

I like these and it opens up the possibilities of lots more room to experiment with more figures.

I have learnt a great deal from these experiments not least it has made me re- assess the way I dye my fabric.


Sunday, October 19, 2014

Six swatches Parallel Lines stitched

Now it's time to reveal my 'oops' swatches from thursday, which had a second dye bath, and turned out good:


Also the difference between front and back is interesting! This is also due to the thickness of fabric I used.

Saturday, October 18, 2014

Sheila's Pleater - a photo

This is a photo of my pleater. It can draw up 24 rows of stitching at one time or 12 1/2 rows and 12 rows on the left for closer rows.
It works best on fine, unsized fabric. It does not work with heavier fabrics. The raaw silk glided through like butter.