Monday, August 29, 2016

Background Check - Bonus Post 1 - PARTING THOUGHTS

Our time is now almost over.

I hope you have been inspired, excited or just entertained!

Just a couple of other thoughts and examples of some backgrounds that didn't make a whole post.

1) Use untraditional fabric

Here is a small piece I did that has a background of purple velvet. (Good thing I didn't paint on it! YIKES!!)

Deep Purple Sea
Different untraditional background fabrics can give a new interest, texture and depth to a piece. I have often wondered about using burlap sometime.  Hmmmmmmmmm

2) Use parts of fabrics to create parts of a background.

In this piece I was using all batiks. One batik in my stash had an overall pine twig print. Needing pine trees for this background, I took just one twig, cut it out (an art quilt form of fussy cutting?) and the twig became a whole tree.

Sky Gazer
Sky Gazer - detail

A lot of batiks and perhaps other commercial fabrics have bits that can be used for other purposes than their original intention! 

Only one more post and it is one you won't want to miss!!! So be sure to be back here on Wednesday to see the finale and to get a taste of something to come in Jan/Feb on FIRE!!!

Kelly L Hendrickson

Background Check - Week 4 - PHOTO

It seems to me that so many art quilters I meet also love photography. Personally I have a HUGE collection of random photos of all kinds of things. I use them for inspiration mostly. But I wanted to integrate a photo even more into my art as an experiment.

A couple of years ago I was creating pieces in the theme of Earth. I chose to depict 4 amazing natural wonders. One of those was the Giant Sequoias in California. We had taken some trips while in California and I LOVE the way the trees look in a morning mist. THAT is want I wanted to show. The tall giants peacefully standing in the forest, the trees in the distance fading into a mere shadow. In the distance they turn into a more gray scale background. But how to do that was the make them distant and fading yet discernable.

I had previously printed a photo onto silk organza and loved the ethereal effect. If I printed the trees in black and white on the silk organza it just might work!

It took a couple of prints to cover the space I needed. Here is how it turned out. In the close-up you can see the photo on silk organza.

And here is the final piece.


Because of the misty look I wanted, I printed the photo in black and white. But depending on the photo and what you want to do with it....color could work just as well! Take a stroll through your own photos and you just might see something that will inspire a new piece of art!

Now yes, I know it has been four weeks. BUT...I'm lucky enough to have a long month!!! Be SURE to come back on Monday. There will be a surprise and an announcement!  Then on Wednesday I'll just close off the month with a few miscellaneous thoughts on backgrounds.

Kelly L Hendrickson

Wednesday, August 24, 2016

Background Check - Week 4 - PEEK-A-BOO

This one is a bit different but I like the way it turned out. I have only done these two pieces with this kind of background technique but I hope to do more!


In this technique, the background peeking through can be either the star or just in a supporting role.
The concept is to have a background fabric and put the main pieces on it where only part of it shows through. So it's not really pieced or is just...well...peeking through!

Here is an example of the peek-a-boo being a very supporting character. After a long road trip I had gathered a LOT of various kinds of maps (one of the many things I collect!) and wanted to make a piece about road trips, maps, etc. I used the maps with a wonderunder transfer thingie. (Sorry for the technical language there. LOL)  The maps became a single piece of fabric.

I cut the "map fabric" up and added appropriate fabric for farms, rivers. fields, woods, etc.  I then laid the pieces out like a map on top of a background piece of black Kona. The Kona peeking through becomes the roadways. Not the prettiest part of a road trip but necessary to be able to enjoy the beauty of everything else.


Take the Backroads - detail

Here is another example of a peek-a-boo background that actually becomes the star of the show. I had a favorite monoprint piece of fabric that I wanted to use but just never found the right vehicle. Then I was working with 3-D techniques and found a way to use it!  

Here is that GORGEOUS piece of fabric.

Here is the technique in a nutshell. Put metal in the area that will be the 3-D part, back it, cut it, put it over the background fabric.


The concept of this piece is a brick wall of a creative block and the creativity that finally breaks through.

So when you are feeling a bit shy about your backgrounds...just let them peek through a bit! The results can be fun and a bit different.

That's it until Friday!

Kelly L Hendrickson

Monday, August 22, 2016

Background Check - Week 4 - PAINTED

Now this topic can go on forever! So many options and painting techniques. Too many really to cover in one little post. So I'm just going to mention it because painted fabric can be an amazing part of a background OR even as a whole cloth background just painted as is! step 1 and step 2. But then your imaginations can go crazy!!!


In the "wholecloth" painted background it can either blend in as part of your whole piece or simply provide the appropriate feeling to the real stars of the piece.

Here is an example of a painted wholecloth background that is meant to blend in as a supporting actor in this piece. It started a one of my photographs and it needed a definite all over background.


 Here is how I made the background

See how the painted background gives the depth and sets the stage for the main character?

Here's one where I just needed a bit of definition on a light blue hand-dyed fabric to give depth and clouds to the sky background. I used a Lumiere pearlized white paint.


This one is an example of a painted wholecloth that is not really but kinda both a background and part of the piece itself (a wall actually - but not only) I chose this painted complex cloth because it was really scattered and random and chaotic feeling...which fit well with the theme of this piece.

(and slightly off kilter)

One last example. This painted technique is Pounded Fabric. (If you want to learn about this technique of painting fabric, you'll want to tune in for Jan/Feb 2017 at FIRE!!!)

The pounded fabric (painted black Kona) becomes the depth of outer space with painted cheesecloth nebula.


I hope these examples (with NO STEPS AT ALL!) have inspired perhaps a way you have not considered as a background before!

See you on Wednesday!

Kelly L Hendrickson

Friday, August 19, 2016

Background Check - Week 3 - SERENDIPITY

You all know when it happens....

You dig through a pile of fabric and see the exact piece you need

You iron out a piece of hand dyed fabric and see the inspiration for a new piece

You do a particular technique and it doesn't work out...but it goes a whole new direction


The dictionary defines Serendipity like this:  

luck that takes the form of finding valuable or pleasant things that are not looked for

When it happens it can make your whole day!!

There are, of course, no step 1 and step 2 to this one...just a reminder to keep your eyes and creativity open to seeing these jewels when they breeze by.

I was entering a competition that required a book or reading theme. I love to read so I had several concepts in mind. dyeing happened.  I rinsed, dried and ironed a piece and it had a big white streak in it.  Oh bummer!! Then it hits. Serendipity. And thus "A Dark and Stormy Night" was born.

I used the big white streak in the background sky as a bright lightening ground strike! Additional lightening bolts were added with specialty yarn and stitching with metallic thread. But the whole idea came from a "messed up" dyed fabric!

The beginning

"A Dark and Stormy Night"

Another example

A friend used some freezer paper to mask a circle which she was going to paint. However, with moisture of the paint seeped under the freezer paper mask.  Again....oh bummer!  But from that, "Blue Moon" was born!  The circle looked just like a moon with a cloud beginning to pass over it. A little quilting and the sky and the sea came into being.

Thanks Wil!
"Blue Moon"
Wil Opio Oguta

And another week comes to an end. Have an amazing weekend! Keep open to serendipity in all areas of your life!

Kelly L Hendrickson

Wednesday, August 17, 2016

Background Check - Week 3 - STRIPPING

NO!!!!!!! Not THAT kind......


This background is built out of strips sewn together. These strips can be pieced or raw edge appliqued.

Step 1
Pick out your Fabric Strips!
Or...make them! I've done both

Step 2
Stitch them together
Difficult instructions...I know. This is where you decide what kind of stitching you want to do...

Background is ready!!

Smaller Strips
Here is a piece I did with a stripped background. The topic piece is a gel medium transfer from the original entertainment section in a 1946 New York paper advertising war time movies. The strips are both commercial red and cammo fabrics and my own hand dyed fabrics. This one I piece strips together and then cut them up to use as the background. I also "wrote" with my sewing machine the names of people I know who served and are serving in the military.


In Honor - detail

Larger Strips
Sometimes a very simple background is best. But you still want a sense of depth, transition and texture. This time I used a set of hand-dyed blue gradation fabrics, Riiiippped up larger strips (oh the fun of it all!) and placed them diagonally on the batting. Then stitched them down with raw-edge applique. I felt the blues brought just the right amount of "icy cold" to a piece about snowflakes.
The color difference is due to the fact that the final piece is a professional photograph.

Big strips...little strips...they can all make a very interesting background for your creativity!!

See you Friday!!

Kelly L Hendrickson 

Monday, August 15, 2016

Background Check - Week 3 - ZAPPED

OK....I KNOW there is a more professional name for it perhaps but this is what I call it in MY studio!


Using a commercial synthetic organza to create an interesting background.....AFTER it is zapped with my trusty heat gun!  Not QUITE setting it on least that is not the plan! Although I have
create a few hot messes with it in the early days!

Step 1
Choose the Organza
This bit is for a background in which I need a part of the ocean just before it breaks on the beach. Just as it is slightly kissing the tops of the reef just out from the surf. I also wanted it to have a shimmer to it because it is a bright sunny day at the beach and I wanted the sun sparkle to be there as well as the whitish bits of the beginning surf. So I also chose another synthetic organza of a shimmery blue. For the background of this bit, I picked out a hand dyed very pale bluish-green. So the whitecaps are not stark white.

For zapping you must have a synthetic fabric (in this case organza).Otherwise it won't melt.

"Ocean" organza

The pale green is the backing, then the blue dotted organza in the middle, topped with the "ocean" organza

Step 2
Stitch the Fabrics Together
(this could be an optional step depending on the look you want)

I like to stitch it first as this can help to create the spaces of little or no melting. On this piece I just stitched around the organic shapes in the fabric.

Unfortunately, I was having so much fun, I forgot to take a photo of this stitching step. However, I think from the following photos you can see how I stitched it together.

Step 3
Let the ZAPPING begin!!
NOTE: You really need to do this on a heat resistant surface. Heat guns can get really hot and despite the name of this group...we don't ALWAYS want to set stuff on fire! For this short session and since I had a backing fabric, I just did it on my ironing board.

I start with my heat gun about 8" away from my fabric and slowly bring it closer until it begins to melt. Then I move it over the fabric, closer and farther away as I go, until I get just the right melting
for the effect I'm looking for.

Here is the zapped organza for this piece.

zapped detail

Now you have a very interesting piece with texture and depth. You can use this for a whole background or, like I'm doing with this particular piece, for part of a larger background.

Here is this part of the developing background as it stands today.

So hope your Monday is off to an inspired start! I'll see you here on Wednesday!

Kelly L Hendrickson