Overdyeing

Overdyeing is the best way I know of to "fix" things that aren't exactly what I wanted or aren't something I think I will ever use.

I took three out of the four turquoise fat quarters that I used in my turquoise experiment earlier this month, applied a beeswax resist using an egg carton,

then dyed them again in Kelly Green, Sapphire, and a mixture of the two--

These will each make a pretty nice little pillow, hopefully.

And the piece here on the left was also batiked with an egg carton--

Then overdyed with a purple & lemon yellow mixture to tone down the bright colors and make the background brownish, and it now looks like this:

 This is my last post about Ann Johnston's DVD, it's been a very fun month!

Dyeing two pieces with the same colors-very different results

These two pieces were folded up and each dyed with the following dye concentrates:

• 2 T boysenberry
• 2 T navy
• 1 T tangerine
• 1 T strong orange

The only difference was applying the soda ash solution to one piece before adding the dyes, the other adding the soda ash after the dyes had been applied and waiting about 10 minutes.

Here they are waiting in my sink to be rinsed out:

The before piece is on the left below, the after on the right--they don't look similar at all, do they?

This shows that the tangerine & orange blended a bit with the navy and made a nice green, while the same colors pretty much disappeared in the piece that had the soda ash applied afterwards.

I'm just experimenting with the low water immersion techniques--I'm not fond of either of these pieces and will probably overdye them, but this makes me realize how little variations in dyeing techniques can make a world of difference.

Scrunch and Snow

I thought I would take advantage of Judy's scrunch dyeing technique this month and use it for some snow-dyeing.  

Most of the snow-dying I have seen involves setting up a rack and screen for the snow and dye to drip through the fabric.  I've never done that -- I just let the fabric sit in the soup of melted snow and dye and I have always achieved really interesting fabrics that way.  But I hate wasting dye.  So I thought: what if I folded up fabric and put it under the scrunched fabric to act as a kind of rack and absorb some of the melted snow and dye?  I figured I would get some pastel coordinating fabrics to go with my snow-dyes.  

So I scrunched up fabric on top of the folded fabric (all of it was soda-soaked), added a layer of the powdery dry snow from my front garden, and poured on dye concentrate.  

I brought all of the containers inside to batch overnight.

Of course, I got beautiful snow-dyes.

But the real surprise was underneath.  No pale coordinating fabrics here.  I got some great stuff with light and dark areas.  I think that some of these will benefit from further over-dyeing to really bring the colors together.

I also tried sprinkling some dye powder directly on top of the packed snow.

I really like the results.  And it was much quicker than mixing up the dyes into concentrate, then pouring them on the snow.  I think that the best color is achieved by the folding and/or scrunching of the fabric before adding the snow.  The one in the middle has a nice effect because I loosely folded the fabric in a fan shape, then scrunched the ends.  So for "school nights," when I am pressed for time, this is a great option for me.

Scrunch Dyeing variations - Part 1

OVERVIEW

One of my favorite dyeing methods is “scrunch dyeing”, where you literally scrunch up fabric that has been pre-soaked in soda ash solution, and add dyes to create wonderful organic patterns and color combinations.  I struggled for awhile in the beginning to come up with the look I was striving for, but once I finally ‘got’ it, I have 

been happily scrunching ever since!  Somewhere along the way, I started doing a little experimenting with alternates to the standard Low Water Immersion dyeing method, and I found I could get some pretty interesting results, so I thought I would do a little ‘compare and contrast’ demo here to let you see what the different methods look like, side by side.  But first, a little ‘housekeeping’.

SAFETY FIRST

If you are an experienced dyer, you already know the safety guidelines for dyeing, but if you are new to dyeing, please use the following guidelines:

Only use tools that are dedicated to your dyeing, not to be re-used for food preparation. 

To ensure you do not ruin your work area, it is advised that you cover your surfaces with plastic before working with dyes or the auxiliary chemicals associated with dyeing, or have an area set up that you can easily wipe down after a dye session.  I work in my laundry room, so I can use rags to wipe up after myself. 

When mixing dyes, it is suggested that you use a mask or ventilator to prevent inhalation of dye powders, especially if you have pulmonary issues such as asthma or allergies.

Always wear rubber gloves when you dye, to prevent staining your hands, and wear old clothing that will not be ruined by dye splatter.

Keep rags or paper towels handy to wipe up spills.
If you need basic 'how to' information on dyeing, I can recommend Dharma Trading Compay, where I buy my Procion MX dyes and other supplies.  They are great, have an online store, as well as lots of experienced folk to help you on your way.  

OKAY, ON TO THE DYEING!

For all of the following examples, I pre-soaked the fabric pieces in soda ash solution (1 cup soda ash powder stirred into 1 gallon hot water prior to starting my project; any unused solution can be stored in a covered container indefinitely).

First off, I tore 4 pieces of cotton muslin into fat quarters; then I numbered them 1 – 4, so I could keep track of which dye variation I applied on each

Then I mixed the dyes.  I chose one of my favorite color combinations: Orchid, Lilac and Avocado.  I mixed them at medium strength – 2 tsp dye powder per 1 cup of water.  I don’t use urea, salt or any other additives.

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I like to store my mixed dyes in Spaghetti Sauce jars – they have measurements on the side to help me make the proper amount.  With a few exceptions, I can store my mixed dyes for at least several months in a refrigerator out in the garage without them losing their strength.  I have noticed that yellows and blues tend to lose their strength sooner than other colors.  I also try to remember to agitate the dyes a little when they have been sitting for awhile, to mix any solids that have separated and migrated to the bottom of the container.

Below is the soda ash container, with the fabric soaking.  I also stir the soda ash to dissolve any solids that have settled to the bottom.  I pre-soak the fabric (which was pre-washed to prepare for dyeing) for about 15 minutes.  Then I squeeze out the excess solution and prepare to scrunch the fabric for dyeing. 

 

Next, I spread the fabric on the top of my washer for scrunching: 

 

Then I scrunch the fabric, trying to keep the ‘peaks and valleys’ pretty even:

Once I have the fabric scrunched to my liking, I place it in my container:

  

Now it’s time to dye!

1)      Standard Scrunch dyeing

I pour a small amount of my first color into a measuring cup with a spout, then I pour randomly over the scrunched fabric:

 

Then I repeat with the remaining colors, usually working lightest to darkest.  Below is the first piece with all 3 colors applied.  I batched for about an hour before I rinsed and laundered.  I rinse first in cold water with a few drops of Synthrapol textile detergent; then I wash with hot water and more Synthrapol, and finally I rinse 2-3 times in warm water.  If you do a large batch of dyes, you can do the wash/rinse in your washing machine.  Then I dry and press.  

Here is the first piece:

  

One reason I love scrunch dyeing is that I am able to achieve light and dark, and I love the fractured patterns that frequently occur.

In my next post, we will explore a couple of variations that I have experimented with, and compare the results to standard scrunch dyeing.  Stay tuned!