This month I’d like to concentrate on simple embellishments. I love
hand embroidery, beading, buttons—anything that adds texture and interest to a
piece. During the month, I’ll be showing you a few simple embellishments I like to use. I’ll begin with beading. If you'd like to try some of these embellishments, you
may want to make a small quilted sandwich to practice on OR you may want to get out a
quilted piece that is just calling for some beading and embroidery.
I also have some EXCITING news. I will be announcing giveaways during the first week of January--yes, I said "giveaways" plural! You will have to come back to check out subsequent posts during the week to see what great giveaways will be available, though, so...stay tuned.
Embellishment can REALLY change how a piece looks. This is what my "extreme texture" piece (that I did following Judith's November tutorial) looked like before embellishing.
This is what it looks like after I finished embellishing it.
Beading Tools/Supplies
I’m listing supplies that I like to use. These are my OWN
personal preferences. You will need to find the tools and supplies that
work for you.
Thread--I like
to use “Crystal Fine 6lb/Size D 0.008” avg. dia.” Beadsmith Berkley FireLine®
braided bead thread for most beading jobs. For really dark beads, I use a smoke
colored FireLine®. I get my FireLine® thread from Red Panda Beads (really good
on-line store; not affiliated, just a happy customer), but you can also get it
from Amazon and EBay. (FYI...Red Panda Beads has great beads too. It is my "go-to" on-line bead store.)
Scissors—You
don’t want to cut FireLine® with your good scissors. It will dull the scissors
and can cause some serious damage. I use a pair of Fiskars 5" Blunt Tip
Softgrip Student Scissors (which are very reasonably priced and which are easy
to get), but you can get scissors from Berkley made specifically for this
purpose. (http://www.anglersworldonline.com/servlet/the-87/Berkley-Fireline-Scissors/Detail)
Needles--Since
I’m generally using beads on fabric (and sewing through a stabilizer or batting
of some sort), I like to use a needle that isn’t quite as thin and long as a
usual beading needle. I usually use Beadsmith Sharps, Size 10 needles. The size
needle you use really depends on whether the needle will fit through the hole
in the beads you are using and whether it is strong enough not to bend when you
sew through your quilt. The Size 10 Sharp fits most of the beads I use, and I
haven’t had trouble with it bending when adding beading to a quilt. I also use the John James beading needles and these #9 Patchwork Clover needles for some pieces.
Other tools—One
of my favorite tools is this triangular
bead tray. I got mine from Etsy. They are VERY inexpensive and are FABULOUS
for scooping up beads and pouring them back into their container.
I use Post-It Notes to corral my beads while
I’m working. I got this ingenious idea from Tom Russell who was featured in Episode
1101 – Dress Your Quilts with Buttons and Beads on The Quilt Show. The beads stick to the sticky part of the Post-It Note and aren't as likely to roll off your work space.
I use a piece of Vellux (the red background in the pictures is Vellux) that I cut from an old Vellux blanket to pour my beads onto when I first start to bead. (It keeps them from rolling all over the place.) I also put my Post-It Note of beads on the Vellux when I'm beading just in case a bead comes loose from the Post-It. If you don't have an old blanket to cut a piece of Vellux from, you can buy Vellux beading mats. Here is one place you can find them. http://schoolofbeadwork.com/beadingmatvellux11x14.aspx
I like to have a piece of shelf liner on hand to help me
pull the needle through the quilt if that becomes difficult. I’m sure there are fancier things to use, but this
works for me.
I got these tweezers as a gift. (They are pretty cool, huh!) I use them to place beads onto the fabric when I'm deciding where to actually sew them down. (I usually audition bead placement before sewing.)
Now I have to give you a warning here…beads ARE ADDICTIVE!
If you have a fabric stash, you know the concept. It is really hard to resist
beautiful beads. It is also really nice to have the beads you might need on
hand. I don’t have a bead store close by, so it is important for me to have a
stash on hand. (At least that’s what I tell myself!)
Beads—As I’ve
said, I collect beads. I use all types of beads, but the most common beads I
use are seed beads and bugle beads. Seed
beads come in various sizes, but I ogenerally use size 10, 11, 12, and
14. (the higher the number, the smaller the bead) Size 11 is the most commonly
used seed bead for me.
Bugle beads
are long tubular beads. They come in different lengths. I ALWAYS use a seed
bead on either end of a bugle bead, because the edges of the bugle bead are
sharp and can easily cut the beading thread.
Sequins—There are
all kinds and sizes of sequins that may be used to embellish quilts (and other
things). I like to use sequins in combination with beads.
Beading books—I
have a couple of beading books that I refer to all the time. I like Beading
on Fabric by Larkin Jean Van Horn and Bead Creative Art Quilts by
Nancy Eha. I really like the layout of both books and appreciate the clear instructions and pictures. I would recommend these books, because I think it is important to find a beading book to use as a source of
information. I’ll only be showing you a few beading applications. I’m thinking
you will want to do more of it and will need a reference.
Beading video—It
is easier for me to learn to do something if I actually see it done. For that,
I ordered the DVD Bead It Like You Mean It by Lyric Kinard. Lyric does a
great job of demonstrating most everything you’d need to know about beading on
fabric.
Beading
I bead my fiber pieces AFTER they are quilted. I have
layered a quilt top with the batting and have done the beading on that adding a
fused back later. I have also TOTALLY finished a quilt (top, batting, backing,
and facing/binding) and have done beading on that. I do it this way because IT IS VERY DIFFICULT
TO QUILT AROUND BEADS. (Ask me how I know!) Again, I’m just letting you know
what works best for me. You will need to experiment to find out what works best
for you.
Seed Stitch/Single Bead
Stitch/Running Stitch
The seed stitch is a "scattering" of beads across a portion of the fabric. It can be used to add texture and is nice to use as a filler that leaves some of the background visible.
I used the seed stitch on the two quilts I will have in the
exhibit “The View from Here: Quilts of the Ohio River Valley. SAQA members from
Indiana, Kentucky, Tennessee, and Ohio” which will be displayed during the
International Quilt Festival in Cincinnati April 12-14, 2013. The seed stitch
on these quilts gave just enough shine to represent sparkling snow.
(If you click on the pictures you can get a little closer look. The beads on these two quilts are white, so they are a bit hard to see.)
I also used it on the piece I did for the Fire blog when
Judith presented Extreme Texture. The seed beads are the red/pink designs you
see. The green design is made using embroidery floss and making a French knot
(which I’ll cover later).
When you are adding seed beads using the seed stitch/single bead stitch/running stitch, it is important to keep your needle vertical to the
fabric—not at an angle—when making these stitches (and all beading stitches I
can think of). Tie a knot in the end of your thread. Depending on how you choose to bead (top and
batting only or finished quilt) either start from the back with the knot lying
against the batting or start by burying the knot in between the layers of your
finished quilt. Bring your needle to the top of the quilt where you have
decided to place your first bead. Add a seed bead to your needle, and go back
down into the fabric leaving enough space for the bead between where you
brought the needle up and put the needle back down. Do not take the needle back
down in the same hole you came out. Your goal, here, is for there to be enough
room for the tension to be enough for the seed bead to stand up straight.
Continue this process
until you have covered the desired area with seed beads. Do not “travel” more
than an inch from one bead to the next without knotting the thread and starting
anew. That can cause the fabric to pucker. When knotting the thread on a finished quilt, you must bury the knot between the layers of the quilt. If I am working with a quilt top
and batting only (not a finished quilt), I like to take a few securing
stitches (I just stitch in place four or five times into the batting making
sure not to go through to the top of the quilt.) every one or two seed beads to
secure the beads. That way, if one should come off, they ALL won’t come off.
Tomorrow, I’ll show you how to add bugle beads.
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