A TECHNIQUE DRIVEN Blog dedicated to mastery of surface design techniques. First we dye, overdye, paint, stitch, resist, tie, fold, silk screen, stamp, thermofax, batik, bejewel, stretch, shrink, sprinkle, Smooch, fuse, slice, dice, AND then we set it on fire using a variety of heat tools.

Monday, June 2, 2014

My last duty with lutradur

The month is done... the play is not! I may not always be playing with Lutradur... it may be anything that hits my fancy.

But I wanted to let you know that I picked the recipiants of the prizes with a random generator and

Margaret who commented:
liked all your tips and ideas for Lutrudor. thanks for the give away. just in case it doesn't show up - (I removed her email - jo)
I might work on my wonky piecing...inspired by Rayna Gillman's book 

Or work on my nephews quillow...

Definitely try sun printing with the month of June posters...

or ... play with some dyes... or ... 

Sunday, June 1, 2014

Here comes the sun printing month


Lynda from Bloombakecreate here.  I don’t know about you, but I’ve been so looking forward to the sun and warm after our long winter! To celebrate we will spend the month of June exploring different ways to sun print. I hope you will play along with us.



For those of you who haven’t sun printed, it is so much fun. But in addition to being fun, it’s so easy. So what is sun printing? Sun printing refers to printing techniques that use sunlight as a developer or a fixative agent.
My first introduction to sun printing was several years ago when I purchased a Sunprint kit.  The paper was embedded with blue molecules that were sensitive to ultra-violet light.  You had to be real careful since even light from a window could prematurely expose the paper. The process involved placing an acrylic sheet on top of the paper with the printing objects in between. The area of the paper exposed to the sun faded from blue to white. Here is one of my experiments from back then. 



You can still buy this paper and also fabric and clothes that are treated. However, we aren’t going to spend time on that. We’ll be talking about different products that are more cost effective (cheaper) than that chemically treated fabric or paper.
So how does sun printing work without that special paper or fabric? As I mentioned earlier, it's real easy. We'll go into it more in detail in upcoming blog posts, but wet fabric is painted and then covered with objects (botanicals, stencils, lace, etc). Once out in the sun, the water evaporates from the exposed surfaces of the fabric. The covered areas are protected and stay moist. While the sun works it's magic, the water from the covered fabric moves to the drier exposed fabric, pulling the paint pigments with it. So once the fabric is dry and you pull off the objects, the fabric is the original color. It’s truly magical and I am amazed every time I sun print.
Pulling off stencil to show image

This month we have three guest bloggers who hopefully will inspire you to get out in the sun and play! Their posts will start next week.

First up is LuAnn Kessi. After more than 20 years as a traditional quilter, LuAnn began playing with surface design techniques five years ago. Her favorite fabric to buy is a bolt of white cotton so she can dye it, paint it, hot wax it, tie it, scrunch it, screen print and lots more.  She turns these newly created fabrics into art quilts.  LuAnn lives on a cattle ranch in Western Oregon and works in her studio, the Thread Shed. You can catch up with LuAnn and her wonderful work at http://luannkessi.blogspot.com/.

Robbie Payne will blog the third week of June. Robbie lives with her hubby, Bob, a 2 year old Bichon named Kalee, and a Blue Front Amazon bird.  She retired in 1999, and started a new “day job” of creating art work using fabric, paints, beads, and anything else she could find. She admits she gets bored easily which has led her to try lots of different mixed media techniques.  "I enjoy painting and creating my own fabric and just had to purchase Solar Fast when it was first advertised!  I hope my experimenting with Solar Fast is of interest to you and leads you to try this product as well!" You can see some of her art work and what she calls "failures" on her blog at www.RobbiesPawPrints.blogspot.com.   She also stays off the golf course by doing her art work, which makes her hubby very happy!

Last up is Sue Andrus.  Sue is a textile artist inspired by flowers, gardens, and nature. She has had several art quilts and garden photos in special exhibits at the International Quilt Festivals, and other shows. Sue grew up in rural Western New York, and moved to Towanda, Pennsylvania with a degree in horticulture. She worked in the floriculture industry for nearly 30 years while beginning her art business and raising three sons. Not finding just the right colors of fabric in stores, she began painting and dyeing her own fabrics, and now uses them almost exclusively in her art. Sunprinting fabrics with leaves and flowers bring her two main passions together - Gardening and Fabric Art. Sue's many gardens contain plants collected over the years and supply most of the materials used for her sunprinting, as well as inspiring new art pieces. In addition to Art Quilts, she designs and creates gift items including jewelry, fabric covered journals and photo albums, tote bags and more using mostly her sunprinted or hand dyed fabrics. You can check out Sue's art at
www.andrusgardensquilts.com

It's going to be a great month! I'll be back in a couple days to tell you about the first sun printing technique. Stay tuned!

Saturday, May 31, 2014

Last Post for May and Lutradur

Last Post for May and Lutradur.


This is my last post for May.  The month has gone by fast. I hope you have learned something new about Lutradur or about any of the techniques or tips presented.
Putting wonder under on Lutradur to make a cut out transfer.

For June I hope it is sunny so that I can practice the Sun Printing lessons coming up.

I leave you with one last hint or comment from Leslie Riley.

My final question to her was

Jo: As an artist, writer and busy art coach do you have any thoughts how important it is or if it is to your art practice to explore different ideas like this blog presents?  

Leslie: I have always said that it’s important to explore EVERYTHING. It is in the doing, the playing, that the AHa! moments arise. Your biggest insight may be that you don’t like the material or techniques, and that’s OK! But you may find that it fires off little idea sparks for something else or a new way to use or do something. You never know where inspiration is going to come from.

What is most important is that you PLAY. Approaching new materials and techniques with a ‘what-if’ or ‘let’s play’ state of mind takes the pressure to succeed and excel off and allows for some pretty fantastic results.

This sounds like good advice…
Leslie blog and newsletter inspires this artistic spirit as well.
This blog promotes this view point as well.

There is so much more to share so if you want to see more I will try to share it on my blog. 


Like angelina on lutradur.


The winner Leslie’s e-book will be announced tomorrow and I will try to get in touch with you. If I can't get in touch with that person then I will draw another name. 
This will inspire the what-if in anyone.
The winner of the package of Lutradur supplies and goodies will be pulled the same way. 
And I am sure they will have a few things to play with.
So it is off off to play with things old and new… hummmm Sun printing June’s topic sounds good.  

I also want to share with you what my friend Al did for me. 
He took a picture with one of my relatives on it printed on Lutradur and made this pillow for me... 


Very cute and now is not only a reminder of my family member but will grace my house as well. Great idea for a gift. I love what he has done with the fabric around it. Kind of a crazy patch scrunching. 


Jo
thesewinggeek


Felting the centre of the flowers.



Colour Vie a screen printing product and Lutradur....

It was really interesting working with the Colour Vie pigments on the Lutradur. The pigments look great. I was surprised by how thin it is. Tried to do my texturizing using found objects, but I think the Lutradur was just a bit too thin for that. Below are the samples I came up with. In the screen printed Lutradur I was using an old screen from a musical (The Producers) I was working on. That was the summer I printed a lot of money:).


Painted with Colour Vie pigments, then stencilled with Colour Vie metallic pigment


Painted with Colour Vie pigments, then stencilled with Colour Vie metallic gold pigment.



Block printed and painted with Colour Vie pigments



Block printed and painted with Colour Vie pigments



Screen printed and painted with Colour Vie pigments. One piece was then distressed using a heat gun.

Hope this works for you!

Take care and enjoy our sudden summer weather!

Gunnel

Gunnel Hag
Colour Vie

Gunnel has a great product for using with fabric to screen print and colour with. She is a wealth of information on printing having worked in Toronto, Ontario Canada's Theater scene.

Thank you Gunnel for sharing.

Jo Vandermey
thesewinggeek.blogspot.ca



Friday, May 30, 2014

Transfers... Other ways... on Lutradur

Two more ways to transfer images onto Lutradur.

One is with Matte Medium and the other is with Rub on Transfers.

I have used Golden Matte Medium. Leslie Riley shows in her DVD how the process works. First you have to select the pictures or graphics you want to transfer. Then you print it onto Ink Jet Transparencies for over head projectors.

You have to remember if you are using words or a design where direction matters you need to mirror image your picture before you print.

I decided to print a page of graphics that I might use and some words.

The trick is to apply the right amount of matte medium. It is kind of like Goldilocks - not to much/not to little.
Apply a coating of matte medium over the Lutradur.

You lay the rough side of the transparency on the matte medium surface and burnish it with your tool of choose. I was using a Popsicle stick from the rub on transfers I have.

You burnish lightly and try not to move the transparency. If you move the transparency you can blur the image. Too much medium and the image will blur. A blurred image is not necessarily a bad thing. It is nice to have a selection of images done so you can pull it our of your tool box when creating.

Here some of the words blurred because I had to much medium on the sheet.

Here is the whole sheet I did.
The column on the left blurred because of too much matte medium but the cups on the right are great.


I added the words to this piece of Lutradur with a fish put on with TAP. 
The other picture of the boy fishing is a rub on transfer like the kind you use in scrap booking. 

It was cut out and laid on the Lutradur. Then it was burnished on with a Popsicle stick. 

I have in mind to make a card for my dad for fathers day with this. The picture reminds me of one of my dad as a boy. 


I made this to make a card for for a special friend. The "postcard" is a rub on transfer... and the words tool the flower was made from painted lutradur, cut out flower and a heat gun used to melt and mold the petals. A few beads sew the flower down.

Transfers are a great thing to have in your tool box. A quick card or a more complex project transferring is fun to do.


Jo Vandermey
thesewinggeek.blogspot.ca


Thursday, May 29, 2014

Elle Guest Post for Lutradur

Elle has been hard at work all month. I really appreciate all the work she has put into helping me with this months postings. 

This was suppose to be posted by me yesterday but I was at work, my parents for dinner, then the dance recital of my niece and great nieces. And then crashed into bed.

She has done a fabulous job. And I love her sense of humour.... Check out her blog. Elle

Well, Light My Fire..... 
According to The Old Farmer's Almanac, it is National Barbecue Month. 

Can you imagine your mother's reaction to "Mother, may I set it on fire?"!

My mother was away somewhere but had left steaks out for supper.  My brother and I were on supper detail and managed to set fire to the steaks on the stove top.  Both my parents were Girl Guide and Scout leaders so being under their influence we were prepared  (!!!) and poured  a box of baking soda over the flames and the steak. :(  My Dad was not impressed and pointed out just putting the lid on would have saved our supper! hmm!

This week I have been playing with fire!  Precautions in place.

First I warmed up by using fiery colours.

I sprayed Dragon Fruit Pink Maya Mist onto Lutradur through a stencil.

Then I used Cadmium Red Deep Hue Liquitex Acrylic Color which I rolled onto Lutradur through the same stencil with a foam brush. 
The ink spreads through the webbing and produces a softer look than the lightly rolled acrylic which produces the sharper image.  It should be noted that the paint can act as a resist.

To warm things up,  I heated up layers.

I sandwiched some bling between two pieces of  Lutradur which I sandwiched between a silicone sheet and ironed away!

It stuck but mainly to the bottom one! 


 I distressed it with a heat tool and learned that I like to have the lacy effect done from the back as the added bling isn't distorted as much and the holes happen quicker.

 Then I spread bling, threads and bits of coloured Lutradur between two sheets of wonder under and ironed away again.

Peeling it off was interesting but it came off and I thought it was great.

But as I was experimenting with the Lutradur,  I placed it on a piece of dark Lutradur, along side a bit of net and then some white Lutradur.  I covered the top side with some fine net.  I fused it again.

Then I distressed it with the heat tool.
 
Next  I began to cut away edges from the earlier acrylic sample with the soldering tool.  Good idea but I need a better image as forgot about the properties of a stencil!. :o

These feathers were fast and had great edges!  Feathering was quick and easy!

What would happen if I brushed the edges with a real flame?  A slow steady pass through the flame is great for aging or texture as Lutradur doesn't tear.  There is less melted residue of the fibres and the edge is crisp and even clean.   But don't get too complacent.

It can and does sometimes flare up.  I'm not sure why.  I didn't notice too much difference between painted and unpainted Lutradur.   I didn't feel anxious; nor did my heart beat unduly.  I would do it again for an old, yellow, aged effect.

Things are heating up finally here on the farm.  The trees are more than just a hazy green and the dandelions are in full bloom.  I must confess my attention is wandering from setting creative fires to planting breath taking blossoms.   I have mislaid key photos and my photos from my photo paper is scratching in a worrisome way.  I did play a bit with my next page but it is far from being done.

One last technique for any worried about fire hazards.  I doubt pulling a needle through Lutradur will create enough friction to cause a fire.  I want to do a camping page if I can find the missing images. Of course I could fill in the blanks with feathers and foliage.   Adding a few bits of texture to leaves that I cut out with scissors makes my heart really beat faster!  Now this is a technique I am looking forward to sitting and playing with while my Rooster barbecues the steaks!  Gee, I hope he doesn't set them on fire!!!

 Thanks once again Elle for playing along.

Jo
thesewinggeek.blogspot.ca

Time to Tap...

Time to TAP…


No it is not a tap dancing lesson even though I really wanted a set of those shoes as a kid…

Today we are going to explore TAP or more correctly Transfer Artist Paper on Lutradur.

Tap is a product that Leslie Riley introduced to the world. Leslie has worked with transferring images onto fabric and other surfaces for years. In the words from her bio she explains, “In an ongoing effort to find the best ways for quilters and mixed media artists to get permanent photos on fabric, Lesley introduced Transfer Artist Paper™, named the Craft & Hobby Association (CHA) 2011 Most Innovative new product.”
TAP 5 Sheet Pack
Image from Leslie Riley's web shop page. 
One of my questions to Leslie was about TAP

Jo:  Transfer Artist Paper (TAP) – “Create With Transfer Artist Paper” is another book you have written. And you have another book “Creative Image Transfer – Any Artist, Any Style, Any Surface: 16 New-Mixed Media Projects Using TAP -Transfer Artist Paper coming out in September. You use the TAP product for transferring images to Lutradur. Can you share your top tips to use TAP to transfer images?
                A cover shot of Leslie Riley’s new book

Leslie: Transferring images onto Lutradur with TAP is easy-peasy and practically fool proof (user error is the fool part.) It’s as simple as printing (or drawing) your image (in reverse) onto TAP and ironing it onto Lutradur. My top tips would be:

Lutradur and TAP are both polymers/plastics, so when they are heated together they like to stay together. You should always peel TAP from any surface when hot but with Lutradur it may resist, so carefully and slowly peel. If you see an areas where you missed ironing you can always lay the TAP back down and re-iron before you completely remove the TAP from the Lutradur.

Yes, Lutradur is heat-reactive, but if you keep your iron moving continuously over the entire transfer area, it will not react to the iron heat.

Since Lutradur is translucent, what you transfer will be visible on the reverse side as well. Use that to your advantage!

Leslie also shared some images of her work with TAP.



And




Let see some of the images that I have used to transfer on to Lutradur with TAP and basically if you follow Lesley’s directions it works that easily. 

Load the TAP into your ink jet printer (do not use laser printers)

Choose a picture.

Print it

Iron it on to the Lutradur according to instructions.... 

Dover copy right free designs. TAP on Lutradur.

These would make a great start on for a special card, post card, artist trading card, or for a wall hanging. 






Here is the berries above fussy cut out and the tap ironed on. I started outlining with markers and plan to stitch on it. 

 More dover designs.... The fish I plan to use on a quilt scene for my nephew.


I put some TAP fish on the Lutradur I coloured earlier. Some stitching and maybe a few beads on the fish eyes???? I have highlighted some of the fishes fins in black. 


This picture doesn’t show up as well on the black Lutradur. It could be the print colours.

Our old car picture going through the tree circa 19?? On Lutradur with Tap.


Tap is an easy way to transfer to the Lutradur. The image is crisp and clear. Remember you must use the mirror image on you picture before you print. Because the design will be reversed. 

There are other transfer methods to Lutradur and I will cover two more in my next post.

We are nearing the end of our time with the month of May. I do have more things I have experimented with and will continue to do so. So a few more posts and then I am back to my blog which I really hope becomes a place where I show my experiments. I know now how much work goes into regular blog posts.

I thought at the beginning I would go through all of the ways to use Lutradur and show you finished mixed examples. I think the using of my samples will have to wait for my own blog. Lol


Jo
thesewinggeek


Remember to leave a comment and you could win Leslie’s e book on Lutradur.

Or

Bonus Prize
But in order to win what I call the Bonus prize you have to work harder... 

You can only be entered into the Bonus Prize by

1. Having a tip that you have shared on a posts topic.

2. Tell me you have tried something as a result of this May’s posts on Lutradur and what it was.

3. Become a follower on my blog.
(I don't want to coherence any one in becoming a follower of my blog so you can skip that one if you want to .... no pressure.)

So you can enter for Leslie's book by just by commenting any comment... (One entry per name) 



Or by doing #1, #2, and/or #3 for the Bonus Prize entry. That means you have three chances to win a package of cool Lutradur supplies.