A TECHNIQUE DRIVEN Blog dedicated to mastery of surface design techniques. First we dye, overdye, paint, stitch, resist, tie, fold, silk screen, stamp, thermofax, batik, bejewel, stretch, shrink, sprinkle, Smooch, fuse, slice, dice, AND then we set it on fire using a variety of heat tools.
Friday, May 8, 2015
white on white fabric
I like to use unusual fabric for the printing. I've had some good luck with white-on-white fabric. My friend Wendy in the UK was the first to point out the advantages of adding color to white-on-white fabric. These are usually sold in the quilting stores - printed in white on a white background - used to create a very subtle texture rather than just plain white in a quilt. When you dye or screen print on this fabric, the results are pretty incredible. The dots in this example play peek-a-boo with the screen printing. I got the textural effect in the dye by using a torn piece of corrugated cardboard when I applied the dye to the screen.
The white polka dots really stand out because it was printed right side up. There is a right side and a wrong side to most white-on-white fabric. The design can be less visible on the reverse since it is a surface treatment and this allows the dye to creep in behind the white-on-white designs.
Fast forward about six months and here is that print covered in embroidery stitches.
And a close up of one of modules of the print. Each of the five rectangles is a different print from the screen. As you can see, the dye affected each dot differently.
Here are a few other prints on white-on-white fabric.
If I am remembering correctly, the blue and green one was printed on the "wrong" side of dots so they are a little more subtle. IMHO
I'm fascinated by the layers of imagery created by deconstructed screen printing on white-on-white fabric! Here's my latest purchase below - yet to be printed. Isn't it going to be great?
Diane - yarngoddess