SO MANY choices of texture, color, thread, paper, silk,
cotton, linen – the fun part when adding the surface layer on fabric collage
is choosing the scraps for a particular piece. I like to dump out my scrap bin
on the table and rummage through it to find some initial scraps that seem to
relate to one another, either by contrasting or coordinating with one another.
Then I start adding to the pile. In general, I don’t limit
either thin or heavy weight fabrics – a variety is great in most work of this
kind.
This scrap selection includes cotton, rayon, and wool challis. I wanted to emphasize pinks that coordinated with each other. |
The two collages above include silk, polyester, commercial cotton, inkjet-printed cotton, and threads from upholstery fabric. |
Melted synthetic sheer on crinoline backing. |
In addition to fabric, I sometimes include papers and threads. In the piece below, I used a page from an old book that I had stamped with pink flowers, yellow-green paper with stamped ginkgo leaves, and a piece of scanned hand-written text that was inkjet printed on cotton, along with a variety of cottons with interesting shapes.
The process of constructing fabric collage in this way is a real creative challenge with lots of latitude and a huge learning component.
Next time, I'll share some of the numerous ways I've used these fabric collages.
Posted by Cris Winters.
I found your post yesterday very helpful. It is nice to have things that one might know put together in such a great format. Thanks.
ReplyDeleteThanks so much for your nice comment. Having great information all in one place is what drew me to this blog not all that long ago. I'm so glad to be part of it this month!
ReplyDeleteSo cool: the ginkgo stamp at the top of the collage looks so 3D with the black fabric underneath it!
ReplyDeleteGreat results and I really like the distressed aged piece.
ReplyDeleteLuv the texture that is happening.
ReplyDelete