Back in the 1980s, I went to my first patchwork class. It was at a local quilt shop, a rareity in Australia in those days. As beginners, we were required to make either a sampler or a medallion quilt, of our own design.
We were guided through the process - selecting blocks from a book, drafting the shapes, making the templates from sandpaper, choosing fabric and then cutting it with scissors, stitching all the pieces together by hand, sandwiching it and hand quilting. Even my binding was applied by hand! This was the beginning of my love affair with hand stitching.
This, however, has never been why I stitch.
My relationship with the cloth I use is important to me. I need to feel it in my hands, draped on my lap. I need to know that the needle, an extension of my own hands, is full of treasured thread. As it intersects the cloth and joins the pieces, I can feel that it is my own creative effort that is making an object that had not previously existed. With my own hands, and simple tools, I have made something tangible.
Stitching, for me, takes as long as it needs. I do not work to deadlines; I rarely work to themes set by other people.
I simply hand stitch for the sheer pleasure. My enjoyment is with the process.
I am not an embroiderer. You won't see complicated stitching in the pieces I've made so far, though I have ideas for future works that may include stitches of different shapes. I use simple straight stitches, sometimes in rows and sometimes scattered across the piece, as you can see in this detail of stitching in Jetsam.
Simple straight stitches can add a lot to a work. Here's my Watermelon Summer, a piece I made during a very hot February in Sydney. Lovely wonky stitching with hot pink crochet thread really symbolises how frazzled we were!
In my next post, I will show you the threads I enjoy using and some examples of my wholecloth works. I look forward to sharing with you again.
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